Nov 242012
 

Lagos de Moreno, just designated Mexico’s Magic Town #66, is a town with a charming ambiance. A succession of small squares with old trees and gardens, connected by shaded streets, gives it a cultured university air. At every turn there are beautifully kept old buildings to be enjoyed and it is absolutely fitting that the town, in its entirety, should have been declared a national monument.

Lagos de Moreno is Jalisco’s fifth Magic Town. Boasting more than 380 cultural and historic sites, its peak coincided with the governments of President Porfirio Díaz in the late 1800s when local haciendas produced both an aristocratic elite and plenty of money enabling them to enjoy what they considered were the better things in life.

La Rinconada restaurant, Lagos de Moreno

La Rinconada restaurant, Lagos de Moreno. Credit: Mark Eager / Sombrero Books

Lagos was founded as Santa María de los Lagos in 1563 on the west bank of the broad Lagos River. It assumed its modern name in 1827. In early colonial times, its inhabitants had to withstand repeated attacks from the Chichimecas. When silver was discovered in large quantities near Zacatecas, further north, the town became a natural staging-post on the mule route to Mexico City, where all colonial silver was taken for assaying. At the same time, the main contraband route across Mexico, between Tampico, on the Atlantic, and San Blas, on the Pacific, passed through the town. As a result of this strategic location, the city was fortified with walls, some of which still remain. There are few examples in Mexico of colonial walled cities. Lagos is one of the best preserved.

The width of the river necessitated the construction of a bridge, at least for more modern traffic, and in the eighteenth century Lagos Bridge was built on the northern edge of the town. This bridge is the subject of one of the charming tales in El Alcalde de Lagos (The Mayor of Lagos), a delightful collection of witty short stories compiled by Alfonso de Alba. The stories capture the provincial nature of the town perfectly, complete with the very different perceptions of the local intelligentsia and their rural campesino counterparts as the town grew to maturity.

The imposing ultrabaroque parish church of the Assumption is also eighteenth century and looks onto the principal plaza. Two blocks away, the former Capuchinas convent has been converted into the Casa de la Cultura, with a concert hall, spaces for art exhibits, library and music classes. Few Casas de la Cultura anywhere in the country are housed in quite such an historic or magnificent building. Walk into the patio and see for yourself. The mural inside depicts Pedro Moreno, hero of the Independence movement, who was born near the town, and after whom the town is named. Another building in the Capuchinas square houses the Agustín Rivera Museum with its displays of archaeological and historical items.

Behind the parish church is the Rosas Moreno theater, one of the few provincial theaters to have survived with its interior spaces and decorations unchanged from the end of the nineteenth century. This building, designed by Primitivo Serrano, was begun in 1887, and inaugurated in 1907. It is named in honor of locally-born José Rosas Moreno, the Children’s Poet, a renowned writer of fables. Serrano built many other fine buildings in Lagos de Moreno, and his influence is everywhere in the lovely Hacienda Las Cajas, now a small hotel.

The central area of Lagos de Moreno, with its romantic corners and shaded walks, is a place to wander through slowly, savoring the sights and sounds of an unashamedly provincial town, one proud of its history and still retaining a dignified air. An overnight stay allows visitors to savor the unique atmosphere of this lovely town in the early morning or late evening when lower-angled sunlight shows the colors and details in the stonework to best effect.

[Lightly edited extract from Tony Burton’s Western Mexico: A Traveler’s Treasury.]

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